Hodgepodge

Gallery of the Louvre — Samuel Morse

I was looking for a painting, an abstract really, to explain my weeks of absence. None of them were messy enough. Not even Pollock’s. So I started paging through pointillists, and surrealists, and vast scenes of hunts and portraits of serious men at serious undertakings and found my attention straying to the barking dog next door.

Dogs bark for any number of reasons—a pedestrian walks by, a squirrel leaps into a tree, a neighbor’s cat tries to trespass on their turf, or they just want inside. Then they stop barking when the pedestrian is gone, the squirrel bounds out of sight, the cat slinks away, or the door opens for them.

Fortunately, there’s rarely more than one dog barking at a time around here.

For years, I was fascinated by Morse’s Louvre masterpiece, but now it just seems messy, a fascinating irony from someone who devised a method of communicating with dots and dashes, dits and dahs. I think when there’s that much going on it’s hard to focus, know what is most deserving of attention.

So, it’s not that I haven’t had the urge to bark; I just haven’t known what to bark at first. There are simply too many pedestrians, squirrels, cats, and doors.

Woof.

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